While a McConaughey-led singalong of ‘Please Mr. Leading the charge on a Clan Of Xymox revival (the cult Dutch rockers provided three tracks, including the doom dance of ‘A Day’), Wingard’s icily Goth score has Sisters Of Mercy rubbing up against Stevie B’s ‘Because I Love You’, and Mike Simonetti’s ‘The Magician’ bristling with nearly as much menace as Dan Steven’s super-soldier himself.
Taking up the retro mantle in 2014 was Adam Wingard’s 12-track-strong soundtrack for The Guest.
A couple of years before that it was Drive, a neon-soundscape packed with synths and pulsing Cliff Martinez cues. Last year’s retro-’80s soundtrack joy came courtesy of Warm Bodies, a zom-romcom that sported Springsteen and Guns ‘N Roses tunes and even dusted off John Waite ‘Missing You’. See also The Essentials Of Every Splunk Architecture Best Practices, Splunk Architecture What’s not to fall in love with? Bring on Awesome Mix Vol. Thomas's ‘Hooked On A Feeling’, of course, was a Reservoir Dogs pick) combined to make soundtrack gold. Why? Because, like Quentin Tarantino before him, director James Gunn’s OST protocol involved making musical alchemy in which rarer cuts (Elvin Bishop’s ‘Fooled Around And Fell In Love’) and more familiar fare (Bowie’s ‘Moonage Daydream’ and B. There were some terrific jukebox soundtracks this year but Guardians Of The Galaxy just sneaks into Empire’s top ten ahead of the likes of Boyhood and Pride. Folk music, especially Russian balalaika tunes and the nagriish of the Osipov State Russian Folk Orchestra, offer a springboard to magical faraway places your eardrums had never been before. The best of Desplat’s five scores this year was a jaunty, spry and only very occasionally sinister musical landscape that helped his director give voice to the fictional republic of Zubrowka. The melodies for Wes Anderson’s Mitteleuropa were provided by Alexandre Desplat, a composer who, if not at the top of his game, was certainly inching towards the summit this year, preparing to plant a big fat flag in it.
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